Murder, Margaret and Me by Philip Meeks
Directed by Simon Tavener
Performance dates 19th–23rd May 2026

Set in the early 1960s, this play explores the collaboration between two national treasures who shaped one of British cinema’s most successful franchises. The Miss Marple movies were nearly never produced, as Agatha Christie, the Queen of Crime, was reluctant for Margaret Rutherford to portray her iconic spinster, while Rutherford herself was apprehensive about being associated with the subject of murder. The story delves into the real reason why Margaret Rutherford, celebrated as ‘the funniest woman alive’, was hesitant to take on the role that eventually brought her international acclaim. The play follows the development of an unlikely friendship between Margaret and Agatha, filled with afternoon tea and gossip. As the plot unfolds, Agatha turns detective, determined to uncover Rutherford’s tragic and shocking secret.

Roles Available
Agatha Christie
Agatha is frustrated by her diminishing control over her own creations and embarks on a quest to investigate Margaret’s past. The character is sharp, witty, and acerbic, having always been in command. Suddenly confronted with the loss of control, Agatha is compelled to take action to restore her authority.

Margaret Rutherford
Margaret Rutherford is a multifaceted character burdened by a terrible secret. She embodies both the famous comic star known for her eccentricity and the deeply affected Peggy, whose life was shaped by fear from an early age. The portrayal should evoke laughter, but ultimately also touch the audience’s heart.

The Spinster
The Spinster is a mischievous woman with a wicked sparkle in her eye. Serving as the narrator, she interacts with the audience, influences Agatha and Margaret, and propels the story by appearing in different forms. She represents inspiration and conscience for the other characters, helping them create their own versions of the little old lady detective. The role includes playing the piano in the initial scenes (though actual piano skills are not required), and the ability to knit would be beneficial.

Casting Note
It is not necessary for actors to impersonate the roles directly; rather, the play succeeds when the characters are suggested. Although the characters are depicted in their seventies, actors aged fifty and above are welcome to audition, as the roles possess a timeless quality.

Non-Speaking Roles
Two cast members are needed to portray workers on a 1960s film set. These non-speaking roles involve moving props and furniture between scenes to maintain the flow of the performance. There are no age restrictions for these roles, and they will require minimal rehearsal time. Interested individuals do not need to audition; they should simply contact the director to arrange a conversation.

Audition Information
There will be two rounds of first auditions followed by a recall for selected candidates. Auditionees will work on extracts from the play, which can be requested in advance by contacting the director at simon.tavener@gmail.com. Paper copies of the extracts will also be available in the audition room.

Auditions
Thursday 4th December at 7:30pm in the Curtis Room
Saturday 6th December, 11am-1pm in the Curtis Room
Call-backs
Monday 8th December at 7:30pm in the Curtis Room